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발견된 푸티지 속의 박영심은 무엇을 말하는가(혹은 말하지 못하는가)?: 사진적 생존자의 영화적 현전과 포스트/식민 아카이브의 냉전 지식체제
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dc.contributor.author김한상-
dc.date.issued2020-12-
dc.identifier.issn1229-9847-
dc.identifier.urihttps://aurora.ajou.ac.kr/handle/2018.oak/35313-
dc.description.abstractThis article problematizes the general approach that regards film materials from US archives as ‘evidence of victimization,’ focusing on the Korean Broadcasting System’s timely release of a recently discovered film footage from the US National Archives amid the heated controversy over the victim-survivor Lee Yong-soo’s whistle-blowing press conference in May 2020. The discourse that confronts Pak Yong-sim’s girly image in the footage with Lee Yong-soo who is understood by many as ‘politically polluted’ is particularly problematic in that the discursive structure makes the victim-survivor’s life ‘after victimization’ invisible and spectacularizes the state of being victimized. This article attempts to read the ‘impact of imperialism’ in the flow of knowledge from the archives of former empires, including US archives, to the former colony’s knowledge sphere in the lasting knowledge regime of the Cold War, and investigates the issues of archives, such as the admissibility of archival photographic image materials as scientific evidence and the accessibility to foreign film archives that costs much of expenses. Beyond the obsolete divide between a ‘protective’ patriarchal nation-state and a ‘protected’ young, immature woman, this article seeks to examine the potentialities of ‘constructive power’ and ‘awakening’ in the gestures of both media figures, Pak Yong-sim and Lee Yong-soo, who live in presence in the cinematic/post-cinematic experience.-
dc.language.isoKor-
dc.publisher문학과영상학회-
dc.title발견된 푸티지 속의 박영심은 무엇을 말하는가(혹은 말하지 못하는가)?: 사진적 생존자의 영화적 현전과 포스트/식민 아카이브의 냉전 지식체제-
dc.title.alternativeWhat Does Pak Yong-sim in the Excavated Footage Tell You (Or Not)?: The Cinematic Presence of the Photographic Survivor and the Cold War Knowledge Regime of Post/Colonial Archives-
dc.typeArticle-
dc.citation.endPage709-
dc.citation.number3-
dc.citation.startPage679-
dc.citation.title문학과 영상-
dc.citation.volume21-
dc.identifier.bibliographicCitation문학과 영상, Vol.21 No.3, pp.679-709-
dc.subject.keyword‘comfort women’-
dc.subject.keywordarchive-
dc.subject.keywordexcavated footage-
dc.subject.keywordgesture-
dc.subject.keywordcinematic presence-
dc.type.otherArticle-
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Kim. Han Sang 김한상
Department of Sociology
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